• ansis@lemmy.world
    link
    fedilink
    arrow-up
    3
    ·
    1 month ago

    In the album context this reads like Shady narrative, not “Eminem/Marshall”, but yeah, it was kinda weird to listen to before “Guilty Conscience” kind of put this in some artistic “alter-ego” context. The aftertaste remained, though. Reminded me how South Park re-branded Cartman for a while. I guess this is what a lot of 90s/2000s art & humor that leaned on ignorant shock humor has gone through to adapt. That wave died a natural death (or got killed (?) like Slim Shady by Eminem on this album, supposedly). Limp Bizkit comes to mind as well.

    • Randomgal@lemmy.ca
      link
      fedilink
      arrow-up
      2
      ·
      1 month ago

      This is just my theory, but I think this order is also meant to communicate a message, a kinda “anybody you look up to can turn out to be like this”, what makes it cool, I think, is that it works whether you believe he is a hateful fuck or not after the alter ego “reveal”. (Altho it is called “the death of slim shady” so the idea is kinda of there from the beginning.

      I also think not everyone listens to the full album in order (which one could say is the intended experience by the artist, there is a narrative after all), so without the extra context, it is understandably much harder to believe that this is not Marshall rapping, but Slim Shady

    • wrenchmonkey@lemmy.blahaj.zone
      link
      fedilink
      arrow-up
      1
      ·
      edit-2
      1 month ago

      this album has a feature that deadnames caitlyn jenner, an “artistic alter ego” is the same artist and what the songs platform is clear. its not parody, its not punching out equally, its hateful and intentionally ignorant for the sake of it. the album is obsessed with pronouns and trans people, not just the slim portions